Posts Tagged ‘Ticonderoga Publications’

website-logoThe second interview for today is with Kaaron Warren. Kaaron Warren is an amazing talented and successful horror author, with over 200 published short stories, and several novels. Her work has featured many times in “Years best” collections, such as those edited by Ellen Datlow and Paula Guran.  Many thanks to Kaaron for stopping by blog for a chat.

ART_3577

Q. Tell us a little about yourself and your background?

KW: I’ve been writing stories since I was a kid, finishing my first novel at 16. I try to fit a life between the lines. I try not to harvest every conversation, every confession for story. Mostly I succeed.

Q. What draws you to horror generally, and was there a defining moment where you something mad you think “Fuck it, I’m writing a horror story!”?  

KW: I love the honesty of good horror. The acceptance that there is no happy ending beyond momentary illusion.

My first story in print was horror, but I never had to say “Fuck it”, because no one ever told me I shouldn’t or couldn’t, so there was no need for that moment of rebellion.

Q. What is your favourite horror story and what about it specifically rustled your jimmies? 

KW: I don’t know what jimmies are or what it means to have them rustled, and there’s no way I can pick one story as a favourite! The stories I’ve loved imprint themselves on me in one way or another. A turn of phrase, an image, a killer ending. And an individual voice is a must. I edited an issue of Midnight Echo and read about 300 stories, I think. The ones I published were those I remembered in the night, and the next day, and the week after.

There were stories from Vincent G McMackin, Evan Purcell, Jarod K Anderson, Mark Farrugia, Marija Elektra Rodriguez, Claire Fitzpatrick and Deborah Sheldon.

Q. What have you written? And what is your personal favourite of your own work?

KW: I’ve published three novels from Angry Robot (Slights, Walking the Tree and  Mistification).

I’ve published six short story collections:

“The Grinding House”, CSFG Publishing

“The Glass Woman”, Prime Books

“Dead Sea Fruit”, Ticonderoga Publications

“Through Splintered Walls”, Twelfth Planet Press

“The Gate Theory” Cohesion Press

“Cemetery Dance Select: Kaaron Warren” Cemetery Dance Publications

I’ve had about 200 stories in print in many different places, including Ellen Datlow’s Year’s Best and Paula Guran’s Year’s Best.

I can’t choose a favourite! And not just because it would be mean to the other stories.

Q. Do you have a favourite form or media for story telling?  E.g Short story, Novel, Audio drama or podcast, audiobook

KW: I love all story forms. Novels, short stories and novellas, graphic novels, dramas; it’s all good.

Q. What are you working on at the minute? Do you have any news?

KW: I’m working on the novel inspired by researched carried out during my Fellowship at the Museum of Australian Democracy at Old Parliament House. Artists, murderers, Prime Ministers, haunted houses and jailbreaks.

I’ve also just signed a contract with ifwgAustralia, for my novel, The Grief Hole.It will be published this year and is the second work in the Dark Phases series.

http://ifwgaustralia.com/2016/02/19/newskaaron-warren-signs-contract-with-ifwg/

Q. Who is your favourite woman writer?

KW: Again with the favourites! I can’t. I won’t. So here’s a list of just some:

Lisa Tuttle, Gemma Files, Caitlin R. Kiernan, Elizabeth Hand, Margo Lanagan, Kirstyn McDermott, Deborah Biancotti. Lisa Morton, Livia Llewellyn, Lucy Sussex, S.P. Miskowski, Alison Littlewood, Thana Niveau

Q. Are there any projects involving other women that you’re looking forward to or would like to get on board with? 

KW: I love Maura McHugh’s work and can’t wait to see what she comes up with next.

Q. What book/s are you reading at present and what is in your TBR pile?

KW: I’m reading for the Shirley Jackson Awards at the moment so my TBR is massive and can’t be discussed!

I do always have a pile of non-fiction to read, though. These are some of them:

Pleasures of the Italian Table by Burton Anderson

The Telling Room by Michael Paterniti

Catastrophe by David Keys

Q. What challenges have you encountered that are unique to being a woman in the horror genre, or can you describe some of the  challenges have you faced that are complicated by your gender?

KW: Hmm, this is a tough one. I have experienced those challenges, not to my knowledge, anyway. I’ve been lucky; others not so.

Q. Why is Women in Horror month important/important to you? 

KW: As many have said, I wish we didn’t need it. But it’s great to highlight good writers, and if readers discover new books through it, then it’s a win.

Q. What advice would you give to aspiring writers?

KW: Be brave. Go to that place you think you shouldn’t go. Don’t hold back.

website-logo

Sophie Yorkston is the extremely talented and awesome editor of SQ Magazine. She took home the Australian Shadows Award for Best Edited Publication, for SQ Mag issue #14 (IFWG Publishing). She’s quite active in the speculative ficiton scene and has several short stories of her own published. I look forward to reading more of her edited and written works!  Thanks so much for dropping by, Sophie!

SYorkston
Q. Tell us a little about yourself and your background?
SY: I’m a bit of a wanderer (my muse is too) who has lived all over the east coast of Australia. I’m also the Editor in Chief of Australian speculative fiction ezine, SQ Mag (which best of all is free!). In my day job, I’m a scientist, with a love and interest in many scientific fields, and I think that really gets into my writing.
 
Q. What draws you to horror generally, and was there a defining moment where you something mad you think “Fuck it, I’m writing a horror story!”?  
SY: I admit, I started out with horror as my first foray into the genre, somewhere between Christopher Pike and Goosebumps. My tastes evolved, but for me it’s a toss-up with exploring the dark side of supernatural beliefs or alternatively how easily humans cross the line with misguided morals. A story I’m writing at the moment is all about people responding violently to someone they perceive “deserves” it. 
 
Q. What is your favourite horror story and what about it specifically rustled your jimmies? 
SY: That’s a very difficult question to answer. I really like the stories where there’s an element of futility, in that whatever the protagonist does, they still get caught in the mire. 
 
Q. What have you written? And what is your personal favourite of your own work?
SY: My current published works include a short suspense story titled Downpour in Subtropical Suspense (Black Beacon Books). A friend of mine said it reminded him of Alfred Hitchcock’s brand of fright, and I thought that a high compliment indeed. I also have a fun story called Manuka Mischief in a kids Christmas collection from New Zealand’s Phantom Feather Press. I’m shopping to find the right home for my favourite story I’ve written. And not to forget SQ Mag, which I edit, and whose Australiana edition won the Best Edited Work in last year’s Australian Shadows Awards. Still pretty chuffed about that.
 
Q. Do you have a favourite form or media for story telling?  E.g Short story, Novel, Audio drama or podcast, audioboo
SY: My work is largely about in short stories, but I think translating them to audio formats is a great way forward. And so many are so suitable to short film as well. One of my hobbies is photography and I think there’s a lot of scope for horror in visual mediums. Horror as a genre is a gold mine, particularly in its ease of translation to many different media types.
 
Q. What are you working on at the minute?

SY: My computer and notebooks are always littered with dozens of shorts, from scrappy notes through to polished pieces striving to find a published home. I’m also chipping away slowly at a magical realism novel that was inspired by my time living in Canada.

 

Q. You’re an editor as well as a writer. Do you have a preference? 
SY: I love to write, and I was lucky enough to fall into working with SQ Mag and with IFWG Publishing (both Australian and international imprints). Editing is mostly wonderful, apart from having to deal out rejections, because it opens you up to a lot of different stories and voices. If you’re lucky, you get to work with some of the true professionals of the business and learn something. But I have to admit, my own words on a page is still a special thrill.
 
Q. What attracts you to editing the work of others? And is there any quality or skill etc that makes a good horror editor, specifically? 
SY: I’ve always wanted to help; I’ve unofficially been editing work for decades for friends. We all get too close to our work and need the help of a little perspective. I don’t know that it’s only a horror genre issue, but I think what makes you a good editor is being able to hear your writer’s voice and not overriding that, to make their story the best it can be. It also helps to read widely to know the tropes of your chosen genre, in as much as you can (only so many hours in the day and many of us have day jobs). Lastly, I have to say, because part of it means I get to know new (at least to me) writers, and do what I love (second) best: read!
 
Q. Who is your favourite woman writer?
SY: Don’t make me choose! There’s many I love for different reasons. Anne McCaffrey, Audrey Niffenegger, Margaret Atwood, Emma Newman. Their explorations of the dark ways of human relationships and interactions are a real draw for me. 
 
Q. Are there any projects involving other women that you’re looking forward to or would like to get on board with?
SY: There’s some amazingly well run publishers (who coincidentally are run by women) in Australia producing great works and anthologies; Fablecroft and Twelfth Planet for example. I’m in awe of what they’re doing. Some of the anthologies showcasing women behind the stories and at the centre are pretty exciting, like She Walks in Shadows (Innsmouth Free Press, eds. Silvia Moreno-Garcia and Paula R. Stiles), Hear Me Roar (Ticonderoga) and the Women destroying (Lightspeed & Nightmare magazine) have been great for us as readers to know who to keep an eye out for.
Q. What book/s are you reading at present and what is in your TBR pile?
SY: Oh, so many! I’m trying to diversify the voices I’ve been reading: The Three Body Problem by Cixin Liu; I’ve just finished and am reviewing Binti by Nnedi Okorafor. I’m also trying to support Australian and New Zealand writers and read and review as much as I can.
 
Q. What challenges have you encountered that are unique to being a woman in the horror genre, or can you describe some of the  challenges have you faced that are complicated by your gender?
SY: I think the greatest challenge for women in genre is that we’re silenced purely by the gender we were born into, unconsciously or otherwise. Including our experiences and our stories. Horror luckily has some excellent editors who are more egalitarian than others, who rectify that by giving equal credence on the basis of excellent writing.
 
Q. Why is Women in Horror month important? 
SY: I think it’s really important to make sure we work against a system that actively works against female writers. Particularly given we have such a wealth of talent here in Australia with internationally-recognised writers like Kaaron Warren, Angela Slatter, Margo Lanagan, and that’s just off the top of my head; there are many more excellent writers than I have named here. And for the lack of recognition of excellent writers in our own countries. 
 
Q. What advice would you give to aspiring writers?
SY: Connect up with other writers and offer to help beta read their work. You learn so much about your own work from the very first time you do it. And if you’re lucky, you end up with a great group of friends!
Plus, read, read read! (And don’t forget to review if you got any enjoyment at all!)
 
 
Website: www.sqmag.com
Book Links:

https://mail.google.com/_/scs/mail-static/_/js/k=gmail.main.en.OVq8hpf-I6w.O/m=m_i,t,it/am=PiPeSMD83_uDuM4QQLv0kQrz3n9-95FiZ889_H9vAojULwD-b_b_AP4P3pu2UA/rt=h/d=1/t=zcms/rs=AHGWq9CKi-kYNM_Rzj3abb7zTohAY_Qxkghttps://mail.google.com/mail/u/1/?ui=2&view=bsp&ver=ohhl4rw8mbn4https://mail.google.com/mail/u/1/?ui=2&view=bsp&ver=ohhl4rw8mbn4

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WIHM Questions

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Simon Dewar <simon.dewar83@gmail.com>

Feb 1

to sophieyorkston

Hey,

See below … attach your approved and endorsed personal image I can post with the interveiew.  If there is anything you want me to ask or want to discuss, let me know. Now is a chance for you to have take the mic. Make my blog your bully pulpit if you like.  I might shoot back some additional questions (*if I have time) based on stuff you say.
Thanks
S.
Tell us a little about yourself and your background?
What draws you to horror generally, and was there a defining moment where you something mad you think “Fuck it, I’m writing a horror story!”?
What is your favourite horror story and what about it specifically rustled your jimmies?
What have you written? And what is your personal favourite of your own work?
(*Include books, novellas, short stories, poems, blogs, awards or anything of interest.)
Do you have a favourite form or media for story telling?  E.g Short story, Novel, Audio drama or podcast, audiobook
What are you working on at the minute?
You’re an editor as well as a writer. Do you have a preference?
What attracts you to editing the work of others? And is there any quality or skill etc that makes a good horror editor, specifically?
Who is your favourite woman writer?
Are there any projects involving other women that you’re looking forward to or would like to get on board with?
What book/s are you reading at present and what is in your TBR pile?
What challenges have you encountered that are unique to being a woman in the horror genre, or can you describe some of the  challenges have you faced that are complicated by your gender?
Why is Women in Horror month important/important to you?
What advice would you give to aspiring writers?
Website:
Blog:
Facebook:
Twitter:
Lnkedin:
Pinterest:
Amazon Author Page:
Book Links: (* American, UK, etc.)
Goodreads:
(* Any order you like and if I’ve missed anything, just type it in.)

Sophie

AttachmentsFeb 15 (2 days ago)

to me
Hey Simon,
Sorry this has taken a little while to get to you.
Hope it’s not too late!
Sophie


Date: Mon, 1 Feb 2016 21:28:05 +1100
Subject: WIHM Questions
From: simon.dewar83@gmail.com
To: sophieyorkston@hotmail.com


Hey,

See below … attach your approved and endorsed personal image I can post with the interveiew.  If there is anything you want me to ask or want to discuss, let me know. Now is a chance for you to have take the mic. Make my blog your bully pulpit if you like.  I might shoot back some additional questions (*if I have time) based on stuff you say.
Thanks
S.
Tell us a little about yourself and your background?
I’m a bit of a wanderer (my muse is too) who has lived all over the east coast of Australia. I’m also the Editor in Chief of Australian speculative fiction ezine, SQ Mag (which best of all is free!). In my day job, I’m a scientist, with a love and interest in many scientific fields, and I think that really gets into my writing.
 
What draws you to horror generally, and was there a defining moment where you something mad you think “Fuck it, I’m writing a horror story!”?  
I admit, I started out with horror as my first foray into the genre, somewhere between Christopher Pike and Goosebumps. My tastes evolved, but for me it’s a toss-up with exploring the dark side of supernatural beliefs or alternatively how easily humans cross the line with misguided morals. A story I’m writing at the moment is all about people responding violently to someone they perceive “deserves” it. 
 
What is your favourite horror story and what about it specifically rustled your jimmies? 
That’s a very difficult question to answer. I really like the stories where there’s an element of futility, in that whatever the protagonist does, they still get caught in the mire. 
 
What have you written? And what is your personal favourite of your own work?
(*Include books, novellas, short stories, poems, blogs, awards or anything of interest.)
My current published work include a short suspense story titled Downpour in Subtropical Suspense (Black Beacon Books). A friend of mine said it reminded him of Alfred Hitchcock’s brand of fright, and I thought that a high compliment indeed. I also have a fun story called Manuka Mischief in a kids Christmas collection from New Zealand’s Phantom Feather Press. I’m shopping to find the right home for my favourite story I’ve written. And not to forget SQ Mag, which I edit, and whose Australiana edition won the Best Edited Work in last year’s Australian Shadows Awards. Still pretty chuffed about that.
 
Do you have a favourite form or media for story telling?  E.g Short story, Novel, Audio drama or podcast, audiobook
My work is largely about in short stories, but I think translating them to audio formats is a great way forward. And so many are so suitable to short film as well. One of my hobbies is photography and I think there’s a lot of scope for horror in visual mediums. Horror as a genre is a gold mine, particularly in its ease of translation to many different media types.
 
What are you working on at the minute?
My computer and notebooks are always littered with dozens of shorts, from scrappy notes through to polished pieces striving to find a published home. I’m also chipping away slowly at a magical realism novel that was inspired by my time living in Canada. 
 
You’re an editor as well as a writer. Do you have a preference?
I love to write, and I was lucky enough to fall into working with SQ Mag and with IFWG Publishing (both Australian and international imprints). Editing is mostly wonderful, apart from having to deal out rejections, because it opens you up to a lot of different stories and voices. If you’re lucky, you get to work with some of the true professionals of the business and learn something. But I have to admit, my own words on a page is still a special thrill.
 
What attracts you to editing the work of others? And is there any quality or skill etc that makes a good horror editor, specifically? 
I’ve always wanted to help; I’ve unofficially been editing work for decades for friends. We all get too close to our work and need the help of a little perspective. I don’t know that it’s only a horror genre issue, but I think what makes you a good editor is being able to hear your writer’s voice and not overriding that, to make their story the best it can be. It also helps to read widely to know the tropes of your chosen genre, in as much as you can (only so many hours in the day and many of us have day jobs). Lastly, I have to say because part of it means I get to know new (at least to me) writers, and do what I love (second) best: read!
 
Who is your favourite woman writer?
Don’t make me choose! There’s many I love for different reasons. Anne McCaffrey, Audrey Niffenegger, Margaret Atwood, Emma Newman. Their explorations of the dark ways of human relationships and interactions are a real draw for me. 
 
Are there any projects involving other women that you’re looking forward to or would like to get on board with? 
There’s some amazingly-well run publishers (who coincidentally are run by women) in Australia producing great works and anthologies; Fablecroft and Twelfth Planet for example. I’m in awe of what they’re doing. Some of the anthologies showcasing women behind the stories and at the centre are pretty exciting, like She Walks in Shadows (Innsmouth Free Press, eds. Silva Moreno-Garcia and Paula R. Stiles), Hear Me Roar (Ticonderoga) and the Women destroying (Lightspeed & Nightmare magazine) have been great for us as readers to know who to keep an eye out for.
What book/s are you reading at present and what is in your TBR pile?
Oh, so many! I’m trying to diversify the voices I’ve been reading: The Three Body Problem by Cixin Liu; I’ve just finished and am reviewing Binti by Nnedi Okorafor. I’m also trying to support Australian and New Zealand writers and read and review as much as I can.
 
What challenges have you encountered that are unique to being a woman in the horror genre, or can you describe some of the  challenges have you faced that are complicated by your gender?
I think the greatest challenge for women in genre is that we’re silenced purely by the gender we were born into, unconsciously or otherwise. Including our experiences and our stories. Horror luckily has some excellent editors who are more egalitarian than others, who rectify that by giving equal credence on the basis of excellent writing.
 
Why is Women in Horror month important/important to you? 
I think it’s really important to make sure we work against a system that actively works against female writers. Particularly given we have such a wealth of talent here in Australia with internationally-recognised writers like Kaaron Warren, Angela Slatter, Margo Lanagan, and that’s just off the top of my head; there are many more excellent writers than I have named here. And for the lack of recognition of excellent writers in our own countries. 
 
What advice would you give to aspiring writers?
Connect up with other writers and offer to help beta read their work. You learn so much about your own work from the very first time you do it. And if you’re lucky, you end up with a great group of friends!
Plus, read, read read! (And don’t forget to review if you got any enjoyment at all!)
 
 
Website: 
Pinterest:
Attachments area

Sophie

12:32 PM (39 minutes ago)

to me

Hi Simon,

I was just going to email to ask if you could include a link to SQ Mag as well. http://www.sqmag.com

I also spotted some typos/mistakes in my replies–crumbs. Probably what happens if I do these things late in the evening. I’ve bolded the questions below where I made answer changes if it is at all possible to just copy paste those responses.
Thanks Simon for the opportunity. It’s been great to see all the interviews, and to see writers whose other spec fic stories I’ve enjoyed that are also horror!
Sophie

From: sophieyorkston@hotmail.com
To: simon.dewar83@gmail.com
Subject: RE: WIHM Questions
Date: Mon, 15 Feb 2016 19:21:52 +1000

Hey Simon,
Sorry this has taken a little while to get to you.
Hope it’s not too late!
Sophie


Date: Mon, 1 Feb 2016 21:28:05 +1100
Subject: WIHM Questions
From: simon.dewar83@gmail.com
To: sophieyorkston@hotmail.com

 


Hey,

See below … attach your approved and endorsed personal image I can post with the interveiew.  If there is anything you want me to ask or want to discuss, let me know. Now is a chance for you to have take the mic. Make my blog your bully pulpit if you like.  I might shoot back some additional questions (*if I have time) based on stuff you say.
Thanks
S.
Tell us a little about yourself and your background?
I’m a bit of a wanderer (my muse is too) who has lived all over the east coast of Australia. I’m also the Editor in Chief of Australian speculative fiction ezine, SQ Mag (which best of all is free!). In my day job, I’m a scientist, with a love and interest in many scientific fields, and I think that really gets into my writing.
 
What draws you to horror generally, and was there a defining moment where you something mad you think “Fuck it, I’m writing a horror story!”?  
I admit, I started out with horror as my first foray into the genre, somewhere between Christopher Pike and Goosebumps. My tastes evolved, but for me it’s a toss-up with exploring the dark side of supernatural beliefs or alternatively how easily humans cross the line with misguided morals. A story I’m writing at the moment is all about people responding violently to someone they perceive “deserves” it. 
 
What is your favourite horror story and what about it specifically rustled your jimmies? 
That’s a very difficult question to answer. I really like the stories where there’s an element of futility, in that whatever the protagonist does, they still get caught in the mire. 
 
What have you written? And what is your personal favourite of your own work?
(*Include books, novellas, short stories, poems, blogs, awards or anything of interest.)
My current published work includes a short suspense story titled Downpour in Subtropical Suspense (Black Beacon Books). A friend of mine said it reminded him of Alfred Hitchcock’s brand of fright, and I thought that a high compliment indeed. I also have a fun story called Manuka Mischief in a kids Christmas collection, The Best of Twisty Christmas Tales, from New Zealand’s Phantom Feather Press. I’m shopping to find the right home for my favourite story I’ve written. And not to forget SQ Mag, which I edit, and whose Australiana edition won the Best Edited Work in last year’s Australian Shadows Awards. Still pretty chuffed about that.
 
Do you have a favourite form or media for story telling?  E.g Short story, Novel, Audio drama or podcast, audiobook
My work is largely about in short stories, but I think translating them to audio formats is a great way forward. And so many are so suitable to short film as well. One of my hobbies is photography and I think there’s a lot of scope for horror in visual mediums. Horror as a genre is a gold mine, particularly in its ease of translation to many different media types.
 
What are you working on at the minute?
My computer and notebooks are always littered with dozens of shorts, from scrappy notes through to polished pieces striving to find a published home. I’m also chipping away slowly at a magical realism novel that was inspired by my time living in Canada. 
 
You’re an editor as well as a writer. Do you have a preference? 
I love to write, but I was also lucky enough to fall into working with SQ Mag and with IFWG Publishing (both Australian and international imprints). Editing is mostly wonderful, apart from having to deal out rejections, because it opens you up to a lot of different stories and voices. If you’re lucky, you get to work with some of the true professionals of the business and learn something. But I have to admit, my own words on a page is still a special thrill.
 
What attracts you to editing the work of others? And is there any quality or skill etc that makes a good horror editor, specifically? 
I’ve always wanted to help; I’ve unofficially been editing work for decades for friends. We all get too close to our work and need the help of a little perspective. I don’t know that it’s only a horror genre issue, but I think what makes you a good editor is being able to hear your writer’s voice and not overriding that, to make their story the best it can be. It also helps to read widely to know the tropes of your chosen genre, in as much as you can (only so many hours in the day and many of us have day jobs). Lastly, I have to say because part of it means I get to know new (at least to me) writers, and do what I love (second) best: read!
 
Who is your favourite woman writer?
Don’t make me choose! There’s many I love for different reasons. Anne McCaffrey, Audrey Niffenegger, Margaret Atwood, Emma Newman. Their explorations of the dark ways of human relationships and interactions are a real draw for me. 
 
Are there any projects involving other women that you’re looking forward to or would like to get on board with? 
There’s some amazingly-well run publishers (who coincidentally are run by women) in Australia producing great works and anthologies; Fablecroft and Twelfth Planet for example. I’m in awe of what they’re doing. Some of the anthologies showcasing women behind the stories and at the centre are pretty exciting, like She Walks in Shadows (Innsmouth Free Press, eds. Silva Moreno-Garcia and Paula R. Stiles), Hear Me Roar (Ticonderoga) and the Women destroying (Lightspeed & Nightmare magazines) have been great for us as readers to know who to keep an eye out for.
What book/s are you reading at present and what is in your TBR pile?
Oh, so many! I’m trying to diversify the voices I’ve been reading so I’m currently reading: The Three Body Problem by Cixin Liu; I’ve just finished and am reviewing Binti by Nnedi Okorafor. I’m also trying to support Australian and New Zealand writers and read and review as much as I can.

Simon Dewar <simon.dewar83@gmail.com>

12:37 PM (34 minutes ago)

to Sophie

Cool. Got it. And thankyou 🙂  You’re coming up soon… along with Ellen Datlow, Lauren Buekes and so many women my brains is turning to mush.

Good fun though.
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New submission call from Ticonderoga Publications for an anthology titled Bloodlines.

Everyone check it out because its edited by Amanda Pillar, and because it’s a cool concept for an anthology. And because it shares a name with a super badass Slayer song.
That’s like a triumvirate of awesome, right there.

A new anthology edited by Amanda Pillar
Blood will tell… blood holds memory… blood is sacrifice… blood is thicker than water… blood is life.
Bloodlines will feature non-traditional horror stories, which take place in an urban fantasy setting. Give me stories about creatures that need blood to live, or blood to do magic, or whose blood is magic. Witches, shamans, faeries, ancient gods and humans can feature in this collection, so long as your story exudes magic and mystery. So long as you enchant me.
As for the nitty-gritties:
No science fiction stories will be accepted;
Romance is acceptable, as long as the story is dark and has horrific themes/elements;
Do not send stories written in the second person;
While vampire stories can be submitted, please note that it would be in your best interests to wow me with something other than vampires.
Lastly, the story must be on theme and meet the above guidelines. It must have blood (its need, use, potency etc.) as a major focus. If it does not, your story will be rejected.
The anthology will be published by Ticonderoga Publications in late 2014/early 2015.
Submission guidelines:
Send me your best dark urban fantasy story.
Story length 1,000 to 7,500 words.
Original stories only: no reprints, multiple, or simultaneous submissions (please only submit one story).
Stories may be submitted via email at bloodlines@ticonderogapublications.com.
Manuscript format: double spaced, large margins, Times New Roman font, Australian English spelling.
The editor reserves the right to use their discretion in selecting stories.
Submission period: 1 August 2014 to 15 October 2014
Payment: 2 copies of anthology and Aus 2 cents/word (GST inc., maximum payment $150) on publication.

http://ticonderogapublications.com/index.php/our-books/185-bloodlines/361-bloodlines-guidelines