Posts Tagged ‘Shreikfest Horror Film Festival’

website-logo
Samantha Kolesnik is a writer, editor and film producer living near Philadelphia. She’s a screenwriter and is one of the producers of the forthcoming Rainy Season short film.  Beyond that she’s a fiction writer and also Editor-in-Chief of Five on the Fifth literary magazine.  She’s one busy lady, all right! Special thanks to Samantha for taking some time out of her hectic schedule to stop by my blog for a chat!
SK_.jpg
Q. Can you tell us a little bit about yourself and your background
I am an American writer and film producer specializing in horror, dark fiction, and roles of substance for women in film.

Q. What draws you to horror generally, and was there a defining moment where you something made you think “Fuck it, I’m writing a horror story!”?
Well, I’m terrified of everything and I worry more than anyone I know. The world is often a very scary place, and I have a lot of fears. When you have a lot of fear, horror is part of that. I don’t think I had a defining moment to write. I always did it, and always will.
Q. What is your favourite horror story and what about it specifically rustled your jimmies? 
I have to go with a classic. “The Cask of Amontillado” by Edgar Allan Poe has to be one of my favorite horror stories of all time. I read it on my own when I was in middle school. I remember having to look up a lot of the words, but once it all clicked, I think I read it a few times in a row that night. I liked it because it demonstrates how wrong human perception can be, and there’s kind of a strange karma that unfolds in the tale. It’s so dark and so creepy, but there’s something more to it. I mean, Fortunato – does any reader really want him to live? At the same time, does any reader not feel great empathy when the chains can be heard from the shadows after he’s realized his fate? I feel my stomach drop just thinking about it. I want to save him, but I don’t even like the guy! Edgar Allan Poe is masterful.
 
Q. What is your favourite horror film?
My favorite movie is the original Texas Chainsaw Massacre. My parents were very liberal in what they allowed me to watch as a child, but there were two films, in particular, that my mother said I couldn’t watch: the original Texas Chainsaw Massacre and Wes Craven’s original Last House on the Left. I begged and pleaded to be able to watch the original TCM on my thirteenth birthday. All I wanted was some pasta and to be able to watch that movie. I only had maybe one friend at that age, so it was just my mom, my brother, and myself. She caved in and let me watch it. I’m pretty sure we rented it from Blockbuster. I loved it, but I puked up the pasta later that evening.
I love how gritty it is. I love the character Franklin. My mom always goes, “How can you like Franklin? He’s so annoying!” And maybe he is a little. But he’s unique in horror, and the challenge he presents to his sister is unique and heart-wrenching as she tries to wheel him to safety through the woods at night. I love the lighting limitations in the night scenes. I love the grainy picture. Leatherface is iconic, terrifying, and mysterious. Most of all, I love that Sally gets away. I was rooting for her. I still root for her. When she simultaneously laughs and screams in the back of that pick-up truck as it rails off down the country road, it’s a triumph. That movie is a pure shot of adrenaline, but it doesn’t lose a sense of human struggle. There is just so much that the Texas Chainsaw Massacre did and does for horror.
Q. What have you written? And what is your personal favourite of your own work?
I write screenplays and prose. I’ll highlight a few pieces. I recently wrote a short screenplay, “Scratching the Surface”, which might be a personal favorite right now. It’s unsettling. Two women, Fay and Nancy, meet in an excoriation disorder support group and things go down a windy, twisted path from there. I like it because Fay is a predator, in her own right, but she judges Nancy how everyone judges Nancy, and well, everyone’s wrong. Way wrong.
I also recently wrote a short screenplay, “The Retreat”, which was a top 10 Finalist in the International Horror and Sci Fi Short Screenplay Competition. And another short screenplay of mine, “Pets”, is an official selection of Milledgeville Film Festival.
My short screenplay, “The Price of Bones”, was a Finalist at the 15th Annual Shriekfest Horror and Sci Fi Film Festival in Los Angeles, which is a really fun event. Shortly after, I produced the film with Hollow Tree Films, LLC and it is currently in post production.
Q. Do you have a favourite form or media for story telling?  E.g Film, Short story, Novel, Audio drama or podcast, audiobook
No.
Q. What are you working on at the minute?
I’m helping to produce a short horror film, Rainy Season, which is adapted from the Stephen King short story of the same name. The writer and executive producer, Vanessa Ionta Wright, is an amazing talent and fortunately, someone with whom I really “click” professionally (and otherwise).
I’m also developing a feature film project from a screenplay I wrote, Turning the Girl. It’s a psychological thriller with an all female cast.
In prose world, I’m writing a short story about a woman who’s lost a tooth too many, and now the walls are starting to whisper. Take that for what you will.
Q. Who is your favourite woman writer?
Right now, I have two. Mahdis Marzooghian and Mary-Anne Nelligan. When they send me a short story they’ve written, or a novel they’re working on, my heart jumps a little. I think it comes from the connection we have, as well as the common goals we share. When you dream with someone, you share a universe, and to be a struggling writer can be a very lonely universe if you’re doing it alone. It’s invaluable to have friends who write.
 
Q. Are there any projects involving other women that you’re looking forward to or would like to get on board with? 
I currently manage a literary magazine, Five on the Fifth, with two other women – Mahdis Marzooghian and Mary-Anne Nelligan. We publish five short stories on the fifth of every month. I’m looking forward to continuing to grow the magazine with them. They are amazing writers, friends, and editors.
I’ve mentioned this elsewhere, but I am also really enjoying working on Rainy Season with Vanessa Ionta Wright.
Q. What book/s are you reading at present and what is in your TBR pile?
Oh wow. I’m reading way too many books, and at the same time, not nearly enough. I just started reading “Ghettoside: A True Story of Murder in America” by Jill Leovy. My TBR list is huge, but I definitely want to soon read “East Hollywood” by Ted Dewberry. He’s a writer I met maybe 6 months ago (ish) and he’s recently published a novel. I love it when people put their heart into writing and get to share that with the world. I want to be a part of that, so I plan on buying a copy soon and digging in.
Q. What films are you looking forward to?  (Simon: Did you know there is a short film coming out this year, directed by Jovanka Vuckovic, based on Jack Ketchum’s Bram Stoker Award winning story, The Box? I’m excited about that!)
You know, I am pretty excited to see The Witch this weekend. And no, I didn’t know about that film, but that sounds awesome and now I am looking forward to that, as well.

Q. What challenges have you encountered that are unique to being a woman in the horror genre, or can you describe some of the  challenges have you faced that are complicated by your gender?
People may underestimate you and mistreat you. It can start at gender, but it can be based on more than that – usually shallow perceptions – first glances and other trivialities. But it all just fuels the fire. And who doesn’t love a good underdog story?
 
Q. Why is Women in Horror month important? 
Heheh. Well, first let me say, I wouldn’t change any horror films out there. I’m a die hard fan – I love it all, even the “bad” stuff. There’s nothing I want to “rectify” or “fix” in the existing horror canon.
As for me, though, and what I create, and what I put out into the universe — that’s where I bring women characters to life who have depth.
Women in Horror Month brings attention to the genre and it gives women filmmakers, writers, and artists a chance to get recognition and support. It’s great. But any event, movement, celebration, group, or month, can only be as good and useful as the people who support it. As creators of all kinds, we need to be respectful and supportive of each other.
Q. What advice would you give to aspiring writers? And is there anything that you would recommend for people who’d like to write for film or are interested in getting into the film industry?
Aspire,  but be sure to also ‘do’. I recommend dreaming and working a lot, but don’t do either one more than the other. There’s a balance to desire and sweat.
Samantha Kolesnik Links:
Five on the Fifth website: www.fiveonthefifth.com
Five on the Fifth FB: www.facebook.com/fiveonthefifth
Turning the Girl: www.turningthegirl.com
Advertisements

website-logo

Hi folks. Welcome back! One of today’s interviews is with the lovely Vanessa Ionta Wright. She’s a screenwriter and executive producer of the upcoming short film, Rainy Season. This film is based on one of Stephen King’s stories and promises to be really good. There is an Indigogo link at the bottom of the interview, so I encourage all readers to enjoy meeting Vanessa, and if possible, support the production of this new horror film. Many thanks to Vanessa for stopping by my blog for a chat!
profile pic

Q. Tell us a little about yourself and your background?
VIW: My name is Vanessa Ionta Wright and I am the Writer and Executive Producer of Rainy Season, based on the short story by Stephen King.  I started writing at a very young age, short stories and poems.  As I got older, the stories got longer and more detailed and I noticed myself writing them for the purpose of being filmed or performed in front of an audience.  When I was in high school, my parents bought a video camera and that sealed the deal for me.  Every possible project that I was assigned during those years in school was met with an immediate “Can I do this as a movie?”  The teachers never said no so I kept on making short films.  Once it was time to choose a college and career, I panicked.  I had never had any interest in any other subject and I had no idea you could study film for anything else other than a hobby.  I settled into Ohio University and pursued my education in Video Production and Film learning as much as could about all aspects of the industry so I could graduate with enough experience to land a career directing films.  That seemed reasonable, after all, I had been writing and directing since about the age of 7.  Apparently you needed an “in”.
Q. What draws you to horror generally, and was there a defining moment where you something mad you think “Fuck it, I’m writing a horror story!”?
VIW: I think the adrenaline rush of fear draws me to horror.  “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown” – HP Lovecraft.  Fear is something everyone knows and can relate to. There is a huge difference between graphic violence that shocks you and makes your stomach turn and that moment when the hair stands up on the back of your neck.  That is what draws me to horror.  I’ve always been a huge fan of horror films, starting when I was 7 and snuck downstairs to spy on my parents watching The Amityville Horror.  I would constantly sneak around and try to watch something scary.  Cable television was relatively new so me, and my parents, were quite naive as to what you could watch during the day.  I would set up camp in front of the television on saturday afternoons and watch Commander USA’s Groovie Movies and scare myself silly watching movies like Friday the 13th III (I watched that whole series out of order), My Bloody Valentine, Cat People, An American Werewolf in London, just to name a few.  I suffered from terrible night terrors, and yet I still couldn’t stay away from watching these films.  I was hooked.
In some ways I’ve always written “horror” starting with my first book “The Witch’s Castle” when I was in the 2nd grade.  I won a halloween poem contest in the 6th grade and it all grew from there.  My first screenplay was a thriller, “Melting Point” that was written my sophomore year in college.  I write a lot of comedy too, mostly as a reprieve from all the terror 😉
Q. What is your favourite horror story and what about it specifically rustled your jimmies?
VIW: One of my favorites is ‘The Bogeyman’ by Stephen King.  It rustled my jimmies (I am totally stealing that phrase 😉  That story freaks me out, even more so now, as a mother!  An entity and a terror that you can never escape from.  That was some creepy s#@!.
Q. What is your favourite horror film?
VIW: Oh god, this dreaded question…I had a friend ask me once and I couldn’t answer, so I went home and made a spread sheet of my top 10 favorite films across 21 different genres and categories…she got my 210 top films (that was some fast math!)  I seriously don’t know how to answer this.  I have favorite psychological horror films, favorite supernatural horror films…you’re torturing me on this one!!! I’m gonna name a couple.  I love the 1978 John Carpenter Halloween.  It was a very simple concept and executed so well.  It also had the moral message of “you sin, you die” which every great horror movie should have 😉  I think Hitchcock’s Psycho is phenomenal, it broke boundaries in film making.  They killed the main character a few beats in!  No one had done that before, go Alfred!  I adore 1973 The Exorcist.  I’m not a religious person, but that movie had me praying…rustled jimmies for sure.  Stephen King’s Misery blew me away, Kathy Bates owned that film.  “It” also really freaked me out.  Pennywise the clown, JIMMIES.  The concept of of this being, this entity that is everything you ever feared…so many jimmies.
Q. What have you written? And what is your personal favourite of your own work?
VIW: I have written a few features and a handful of shorts.  I always have unfinished works at various stages of completion.  I wrote a remake of the original Friday the 13th with a longtime friend and colleague, Kevin Peterson.  We added some backstory on Pamela Voorhees and combined the first two installments to give a more complete storyline of the question, ‘what if Jason lived’.  We actually got a meeting out of New Line Cinema at the time, but they passed on the project, wanting to see how the release of Jason Vs. Freddy was going to do at the box office.  I wrote a comedy, ‘Bayou Gold’ that was a semi-finalist in the 2003 American Zoetrope screenplay contest and an official selection at the 2015 Oaxaca Global Script Challenge.  I have an anthology series called ‘The Time Changer’ that is a sci-fi thriller.  The first installment, ‘Into the Past’ was a finalist at the 2014 Shreikfest Horror Film Festival and the 2015 Chicago Indie Horror Fest.  The second installment, ‘Close at Hand’ was a finalist at the 2015 Shreikfest Horror Film Festival.  This collection takes 4 separate tales and spins time on it’s side.  I would love to see this project produced with 4 different director’s on board.  The script for Rainy Season was an official selection at the 2015 Northeast Horror Fest Film Festival and the 2016 Milledgeville Film Festival.  I think to date, my favorite work has been the Time Changer, I have a frightening obsession with time.
Q. Do you have a favourite form or media for story telling?  E.g Film, Short story, Novel, Audio drama or podcast, audiobook
VIW: Film is my favorite form of story telling.  I’m a visual person and there are things that can be said without saying a word in film, I love that.
Q. What are you working on at the minute?
VIW: Literally, this interview 😉  I am in full pre-production for Rainy Season right now.  We are crowd funding through indiegogo to raise our budget of $30,000.  I am thrilled with the script (5 rewrites later) and I think Stephen King is really going to enjoy what we’ve done with his story.
Q. Who is your favourite woman writer?
VIW: Shockingly, not a horror writer.  My favorite female authors are Sheri Reynolds and Joyce Carol Oates, there are many more, but I think I’ve read most of what these two have written and have never been disappointed.
Q. Are there any projects involving other women that you’re looking forward to or would like to get on board with?
VIW: I am thrilled to be working on Rainy Season with producers Samantha Kolesnik and Stephanie Wyatt.  I am also looking forward to working with Samantha on her feature, ‘Turning the Girl’.  There is also some talk of possibly collaborating with Novelist and Huffington Post writer Pamela K. Glasner on one of her projects.  Exciting stuff coming up.  I would also like to work with Ellen DeGeneres and go through haunted houses with her producer Andy Lassner.
Q. Who are some of the other people involved with Rainy Season?
rainy season crew.jpg
rainy season cast.jpg
Q. What book/s are you reading at present and what is in your TBR pile?
VIW: I have three books going right now.  I am reading East Hollywood by Ted Dewberry, Mr. Mercedes by Stephen King and Naomi’s Room by Jonathan Aycliffe.  In my TBR pile…The Murder House by James Patterson, Joyland by Stephen King, Deeply Odd by Dean Koontz, and Uganda be Kidding me by Chelsea Handler.
Q. What films are you looking forward to?
VIW: I am looking forward to The Witch, 10 Cloverfield Lane, The Invitation.  I’d like to check out that Ghostbusters reboot with Melissa McCarthy.
Q. What challenges have you encountered that are unique to being a woman in the horror genre, or can you describe some of the challenges have you faced that are complicated by your gender?
VIW: I think the biggest challenge is the feeling of having to prove yourself…that I am just as good, if not better and I deserve to be here writing these stories and making these films.  I attended one of my favorite festivals this past fall and there wasn’t a single female winner.  I don’t say that with a chip on my shoulder or that the winners were undeserved, I simply noted that every winner, in every category was a man.  I think we need to continue ruffling feathers (or jimmies) and making a splash in the horror genre and in film as a whole.
Q. Why is Women in Horror month important?
VIW: I think it’s a great way to celebrate the estrogen filled pool of talented writers, filmmakers & artists.  We are still the minority in film, especially in horror and it is a great way to bring awareness to some great works that have been created and produced by women.  I’ve noticed when I see a film, for example The Babadook, and I discuss with with my friends and peers and they go on and on about how great it is, I’ll chime in that it was written and directed by a woman, the reaction is always “really?”  YES!  Women can make great films and write great stories and scare the hell out of you, why is that so shocking?  Great film, by the way, if you haven’t seen it, please check it out.
Q. What advice would you give to aspiring writers? And is there anything that you would recommend for people who’d like to write for film or are interested in getting into the film industry?
VIW: I don’t like to give advice, mostly because I don’t feel qualified to give advice, but if someone said to me, “Vanessa, I want to be a writer, what should I do?” I would simply say, “Then write.” Read as many books as you can and write whenever possible. The more you write, the easier it becomes to find your voice. If you have a story to tell, then tell it.  Your writing will get better the more you do it. And keep a thick skin about you, you have to be able to handle criticism and feedback, both good and bad. It’s easy to take it personally, don’t. Stephen King wrote a great book on the craft, ‘On Writing’. If you have a favorite author or filmmaker, chances are they wrote a book on the subject, check it out and go from there.
Vanessa Ionta Wright Links:

RAINY SEASON POSTER.jpg

Indiegogo:  CLICK HERE to support Rainy Season based on the story by Stephen King